Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, this explosive book of history and cultural criticism reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color. Taking us from the slave era, when white women foug...(展开全部)

Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, this explosive book of history and cultural criticism reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color. Taking us from the slave era, when white women foug...(展开全部)

An essential, comprehensive account of what white feminism is - and an empowering manifesto for revolution For readers of Reni Eddo-Lodge's Why I'm No Longer Talking to White People About Race, Caroline Criado Perez's Invisible Women and Florence Given's Women Don't Owe You Pretty 'Necessary, warm-hearted and sharp-eyed... [Zakaria] brings compassion, intelligence, and a steady...(展开全部)

A radically inclusive, intersectional, and transnational approach to the fight for women’s rights. Upper-middle-class white women have long been heralded as “experts” on feminism. They have presided over multinational feminist organizations and written much of what we consider the feminist canon, espousing sexual liberation and satisfaction, LGBTQ inclusion, and racial solidari...(展开全部)

A radically inclusive, intersectional, and transnational approach to the fight for women’s rights. Upper-middle-class white women have long been heralded as “experts” on feminism. They have presided over multinational feminist organizations and written much of what we consider the feminist canon, espousing sexual liberation and satisfaction, LGBTQ inclusion, and racial solidari...(展开全部)

At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: 'I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson.' Eventually Eggleston developed his own style which later shaped his seminal work in c...(展开全部)

At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: 'I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson.' Eventually Eggleston developed his own style which later shaped his seminal work in c...(展开全部)

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content, from racialized oppression and protest while directing meanness toward people in marginalized groups. Kim Hong Nguyen examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mea...(展开全部)

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content, from racialized oppression and protest while directing meanness toward people in marginalized groups. Kim Hong Nguyen examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mea...(展开全部)